- Bahagia, Sumatran Tiger
6" x 6", $55 8" x 8", $70 - Bella - Great-horned Owl
6" x 6", $55 8" x 8", $70 - Blackbelly Sheep
Handsome ram! - Bottles in a Window
- Bright Future
6" x 6", $55 8" x 8", $70 - Cable on Machinery
The cable is made up of lots of smaller cables - impressive. - Cable Reel
- Car Carcass
I liked the two concentric circles and their shadows. - Chrome Rising - detail of process on hood
Close up of the eyebrow tattoo needle. It has multiple sharp pins that create a linear scratch pattern. - Chrome Rising - detail of process on hood
The section on the bottom left shows how it looks after I've scratched w/the #16 X-acto blade. - Chrome Rising - detail of process on hood
My trusty #16 X-acto. I used it to further scratch the area where I've used the tattoo needle. That breaks up the linear effect, I want a smoooooth effect on the hood. - Chrome Rising - detail of process on hood
I used the tattoo needle in the lengthwise direction, then in an angled direction (but not 90 degrees to the other direction). - Chrome Rising - detail of process on hood
This series of 5 images shows how I started work on the section of the hood of the "Chrome Rising" drawing.
This is an eyebrow (or cosmetic) tattoo needle. I used it to clear away some of the black on the car hood. - Chrome Rising - Final
"Chrome Rising" - 6" x 6" scratchboard. 1941 Cadillac hood ornament, from my own reference photo.
Scratched with a #16 X-acto & an eyebrow tattoo needle (on the hood of the car), re-inked (stippling) with a technical pen.
I was mostly happy with the previous version of this drawing, but the contrast between the hood & the background in the corner bothered me. It pulled the eye right off the edge. I re-worked the hood to make it darker and now it reads better. I stippled with a technical pen to make the entire hood darker, and then scratched to blend & add highlights.
Part of the reason I didn't anticipate the issue in the corner is that I usually erase the backgrounds in Photoshop to save printer ink and avoid distraction from the subject. This a case where that worked against me, because in the photo, the background was white, so I wasn't seeing that contrast between the hood & the solid black background until I was finished. See the next 2 images - my reference photos... - Chrome Rising - Reference Photo 1
Here's the original reference photo. You can see the hood was white, but without a dark background, the contrast situation wasn't distracting.